A sequel to his 50-State solo cello tour and recording, Anthem, released in 2003, Figment is a return to Haimovitz’s signature solo set, embracing the musical communities of his two home countries, the US and Canada. Inspired by Continue reading →
Works for solo cello by Ned Rorem, Paul Morevec and Lewis Spratlan.
After Reading Shakespeare features literary-themed solo cello suites by three beloved Pulitzer Prize-winning American composers. These witty and lyrical suites bring to life characters and quotations from Shakespeare, Mark Twain, Continue reading →
VinylCello is an album of new cello concertos written for Matt Haimovitz and unexpected ensembles–big band, choir, DJ and live electronics–along with Haimovitz’s new arrangement of Jimi Hendrix’s Machine Gun for solo cello and all-cello band. On VinylCello, Haimovitz brings together the first three commissions from his ‘Buck the Concerto’ series, Continue reading →
September 5, 2006 – Oxingale Records releases Après Moi, le Déluge at the one year anniversary of Hurricane Katrina. The debut full length album of new music by composer Luna Pearl Woolf includes two world premiere recordings: Continue reading →
Celebrating Bartk’s fascination with the folk music of Transylvania, Hungary, Romania and Turkey, cellist Matt Haimovitz delves into his own Romanian/Middle Eastern ancestry to create a sonic tapestry that bridges genres, geographic distances and Continue reading →
On September 9, 2003, Oxingale Records launched ANTHEM, cellist Matt Haimovitz’s highly charged collection of solo works by living American composers featuring his live rendition of “Anthem,” inspired by Jimi Hendrix’s “Star Spangled Banner,” recorded live Continue reading →
Composer Tod Machover’s ground-breaking Hyperstring Trilogy with Matt Haimovitz on hypercello, Kim Kashkashian on hyperviola, Ani Kavafian on hyperviolin, and the Boston Modern Orchestra Project, conducted by Gil Rose.
“Hyperstrings” are instruments enhanced with technology, designed “to enable the performer’s normal playing technique and interpretive skills to shape and control computer extensions to the instrument, Continue reading →