Maine Classical Beat – HAIMOVITZ AND VOICE: “IF MUSIC BE THE FOOD OF LOVE…”

Cellist Matt Haimovitz and the vocal trio, “Voice,” have a devoted following. There was a surprisingly large audience at Hannaford Hall on Friday night, in spite of 10 inches of snow and icy roads. Most people stayed after the concert to meet the artists.

Haimovitz, one of today’s grand masters of the cello, is also known for his eccentric choices of repertoire and for performing in unusual venues. I saw him at the Odd Fellows Hall in Buckfield and at Jonathan’s in Ogunquit, where he played his own amazing version of Jimi Hendrix’s “Star Spangled Banner.”

Now he is collaborating with “Voice,” founded in 2006 by Emily Burn, Victoria Couper and Clemmie Franks. The problem, as Hamovitz explained, was that there was no repertoire for cello and vocal trio (…)

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Washington Jewish Week – ‘Better Gods’ gives operatic life to a little-known chapter in history

The music by Wolff demonstrated a search for authentic Hawaiian chant and island instruments including the nose flute, warrior sticks and stone castanets. The effective use of these instruments represented a reach to pre-Western influence, even as we had a Western orchestra juxtaposed in this clash of cultures.

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Audiophile Audition – BACH: The Cello Suites (complete, Anna Magdalena manuscript) – Matt Haimovitz, cello – Pentatone (2 discs)

Haimovitz gives thoughtful and well-considered performances of these seminal works in resonant sound that captures his baroque cello and cello piccolo (Suite 6) in terrific sonics. I won’t harp yet again on the felicities of recording solo and small ensembles in surround sound—often more than the largest Mahler symphony, these sorts of settings benefit from the finest sound, allowing the most subtle of expressions to come across as if one was sitting directly in the presence of these artists in the most intimate of listening spaces.

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Scene4 Magazine [The Dresser] – Better Gods: Who Was Queen Lili’uokalani?

Woolf might have done the music this way to allow for two Hawaiian compositions–the traditional “Kumulipo” (“Creation Chant”) and “Aloha ‘Oe”–to be featured. Queen Lili’uokalani was the English translator of “Kumulipo” and the composer of “Aloha ‘Oe.” The Dresser was impressed with how seamlessly and beautifully Woolf blended “Aloha ‘Oe” into the music ofBetter Gods, making this old chestnut new to the ear.

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Parterre Box – Throne Away

Offering something slightly more substantial than the 20-minute pieces shown last month, WNO premiered Better Gods, an hour-long work by composer Luna Pearl Woolf and librettist Caitlin Vincent on Friday evening. The subject is the fate of Queen Lili’uokalani, last monarch of Hawaii. In 1898, Lili’uokalani attempts to repudiate the U.S.-friendly constitution inherited from her predecessor and shore up Hawaiian sovereignty.

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BWW Opera World – BWW Review: BETTER GODS Soars at the Kennedy Center

Ms. Woolf’s gorgeous score is underlined by the use of traditional Hawaiian chants and her score utilized authentic instruments like the nose flute, Kala’au (percussive sticks), and Ili’ili (castanets), that are native to the island. Ms. Woolf’s score also uses Queen Lili`uokalani’s famous composition, “Aloha ‘Oe”, sung in gorgeous counterpoint by soprano Ariana Wehr.

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