Like the selections he plays, cellist Matt Haimovitz likes to sometimes veer off the traditional path.
For example, around the turn of the century, Haimovitz embarked on his Bach Listening Room Tour, which saw him eschew concert halls and the like in favour of playing in jazz clubs and rock venues across the continent.
“I wanted to reach out to an audience that wasn’t coming to the concert hall,” Haimovitz said Wednesday over the phone from Tucson, Ariz., where he had been performing the night before. “I wanted to play music that was really important to me that wasn’t being presented in a concert hall.”
While the tour made sense to Haimovitz — he first thought of redefining what it meant to be a classical musician when he was doing his undergrad at Harvard University and noticed that no one his age was in the audience — it didn’t to others. Continue reading →
This weekend’s New World Symphony concert just got an extra bit of added star power.
Cellist Matt Haimovitz will perform the cello part in Gyorgy Kurtág’s Double Concerto for Piano, Cello and Two Chamber Ensembles at the New World Symphony Saturday night.
“What an amazing piece the Kurtag is!” said Haimovitz. “I did not know the Double Concerto. It’s an ingenious and complex microtonal score with each soloist in charge of an ensemble within the orchestra.
“I would have agreed to play it in Siberia….but I’ll take Miami.”
The “Sounds of the Times” concert, which will be conducted by Reinbert de Leeuw, will also include Kurtág’s …quasi una fantasia…, Ligeti’s Double Concerto for Flute and Oboe, and Bartók’s Suite from The Miraculous Mandarin. Concert time is 7:30 p.m. Saturday at New World Center, Miami Beach. nws.edu
This weekend, the Chamber Music Society of Detroit presents a pair of noteworthy concerts with a couple of first-rate, and deliciously unconventional, musicians.
Christopher O’Riley, in addition to being an accomplished classical pianist, hosts “From the Top,” NPR’s popular radio showcase for young musicians (not currently heard in the Detroit market). Every week on the show, he plays a brief interlude going into the show’s station break. One day, having run through the gamut of Chopin preludes and Bach inventions, he decided to try something different. When he’d finished, the show’s announcer came on saying, “That was Christopher O’Riley, our host, playing ‘Karma Police’ by Radiohead.” Continue reading →
Pianist Christopher O’Riley and cellist Matt Haimovitz will be appearing in concerts sponsored by the Chamber Music Society of Detroit this weekend. On Thursday, Jan. 9 at 3 p.m. they’ll be guests of Chris Felcyn on The Well-Tempered Wireless program of WRCJ 90.9 FM. Tune in and find out which Jimmy Stewart co-star has become a big fan of their music. Continue reading →
Cellist Matt Haimovitz gets his kicks out of mixing it up, playing Arcade Fire at a pop-up concert one day, then restringing his instrument with gut strings to play period Beethoven the next. For tonight’s Toronto visit with the Ontario Philharmonic at Koerner Hall, he reaches into the heart of the repertoire with Ernest Bloch’s Schelomo. Continue reading →
“Angel Heart” was conceived by Luna Pearl Woolf and Lisa Delan.
“Do you hear it?”
At the beginning, there is only the voice of Jeremy Irons. Then, the sound of strings: high, sparkling filaments of sound that dance around the narrator’s voice like dust particles catching the light.
There is a whispering of wings in the silence of the night.
They’re coming. With feathers as white as snow and faces as bright as the moonlight:
“Angel Heart” is a tender and emotionally astute children’s story told in words and music. Last month it was released as an audiobook CD; on Monday it will be performed live at Zankel Hall with the actor Chris Noth as narrator. Continue reading →
Lullabies and bedtime stories are usually close to the top of the list of most treasured early childhood memories. Few things can comfort an infant or toddler into peaceful slumber as the voice of a parent or grandparent softly intoning “Rock-a-bye Baby” or “Brahms Lullaby.” Nowadays one can augment a child’s calming bedtime rituals by merely hitting the “play” button on a CD or MP3 player.
A trio of imaginative women combined their talents to create what might become a new children’s classic. Continue reading →
Back in the late 1980s, when Spoleto USA was only about a decade old, I was enjoying one of the programs in the chamber music series that Charles Wadsworth organized for the festival and which became, over time, one of its most popular and consistently successful features. Wadsworth, the ever-avuncular host, had just introduced to the Dock Street Theatre stage a teenaged phenomenon named Matt Haimovitz, whom he predicted would soon leave his mark on the cello repertoire. Continue reading →
If you close your eyes and listen to the music, you can picture the onscreen action: the young mother unnerved by the sudden departure of her baby’s nanny, the wily tramp finding the key under the mat and infiltrating the isolated house, the husband working to the ticking clock of office deadlines suddenly thrown into a different race against time when his wife’s frantic phone call to him is cut off, and the chase to the rescue in a stolen car pursued by the law.
Composer Luna Pearl Woolf conjures the pictures in your mind’s eye with the orchestral-sounding richness of eight cellos, a full complement of drums and a glockenspiel. Continue reading →
What happens when a pair of music professionals set out to create a CD to share with their kids? In the case of composer Luna Pearl Woolf and soprano Lisa Delan, they enlist author Cornelia Funke, actor Jeremy Irons, and Mirada Studios to help them turn their vision into a multimedia storybook and interactive iPad app. The result is Angel Heart, a CD in mini-hardcover packaging being released September 24 by Oxingale Records. An app is set to follow in early 2014. Continue reading →