GatheringNote.org: Review: Matt Haimovitz plays the Tractor Tavern

January 25, 2010

Celebrating the 300th birthday of his cello, the concert adventurer Matt Haimovitz returned to Seattle’s Tractor Tavern Wednesday night for a one-man show that sold out the bar. Some 250 seated and standing fans filled the funky place where Haimovitz performed Hendrix not so long ago, backed by a band of students, to plug his CD “Anthem.” This time, he’s touring Continue reading

Voir: Matt Haimovitz et Luna Pearl Woolf Classiques eXcentriques

November 5, 2009

Photo by Martin Laporte

Le violoncelliste Matt Haimovitz et sa partenaire, la compositrice Luna Pearl Woolf, réinventent le rituel du concert avec la nouvelle vocation d’eXcentris. Air frais.

J’ai rencontré Matt Haimovitz pour la première fois en 2006, alors qu’il venait de faire paraître son disque Goulash! (Oxingale Records), sur lequel il joue avec le grand guitariste jazz-rock John McLaughlin, l’ensemble de musique méditerranéenne Constantinople et DJ Olive, entre autres. On trouve sur ce disque du Bartók et du Ligeti, mais aussi du Led Zeppelin Continue reading

Montreal Mirror: Wine bottles, wedding bells and warrior women

November 5, 2009

Photo by Martin Laporte

The exciting eccentricities of November’s classical music programming at eXcentris

McGill music professor and renowned cellist Matt Haimovitz—who now adds artistic advisor and artist-in-residence at the recently repurposed eXcentris to his CV—has made it his mission to expand the parameters of classical music, what it is and who it’s played for. In that spirit, his latest album, Figment, covers a good part of Continue reading

The New York Times: You Won’t Find Them in the 45s Section

October 15, 2009

In the world of commercial music, the conventional wisdom is that the full-length album is dead, that listeners want individual tracks, downloaded rather than on discs. But on Monday, when the big news elsewhere was the release of a single by Michael Jackson, a handful of new-music performers gathered at Le Poisson Rouge and, in two unrelated shows, offered Continue reading

Figment

Figment

Figment

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A sequel to his 50-State solo cello tour and recording, Anthem, released in 2003, Figment is a return to Haimovitz’s signature solo set, embracing the musical communities of his two home countries, the US and Canada. Inspired by Continue reading