What do Jimi Hendrix guitar solos, György Ligeti sonatas, Shakespeare sonnets, and Spanish sarabandes all have in common? Each of them appears in one form or another on cellist Matt Haimovitz’s latest release, “Orbit: Music for Solo Cello (1945-2014).”
Sprawling in scope, “Orbit” is a three-disc compilation of music for solo cello featuring works by over 20 contemporary composers, 15 of whom are still living. The ambitious solo album is also one of the first releases on the new Pentatone Oxingale Series. This innovative new project is a collaboration between the Dutch classical music label PENTATONE and Haimovitz’s own trailblazing artists’ label Oxingale Records, which he created in 2000 with his partner in life and music, composer Luna Pearl Woolf. Continue reading →
On this 2015 compilation of contemporary solo cello music, Matt Haimovitz presents a diverse program of past performances, drawn from his recordings on Oxingale Records. The selections have been remastered for HD sound by PentaTone, so the audio quality of these 3 hybrid SACDs is superior to the sound of the first releases, which appeared on the albums Anthem (2003), Goulash! (2005), After Reading Shakespeare (2007), Figment (2009), and Matteo (2011). The selections range from popular music to the avant-garde, and Haimovitz explores major examples of modern cello music, from Luigi Dallapiccola’s Ciaconna, Intermezzo e Adagio (1945) to Philip Glass’ Orbit (2014), and embraces many of the trends that make up contemporary music, including a virtuoso arrangement by Luna Pearl Woolf of The Beatles’ Helter Skelter.
Snce 1986, when he was only 16 years old and had already attracted international buzz for several years, cellist Matt Haimovitz has been making music on a cello he treasures. It was made in Venice in 1710 by Matteo Gofriller, and Haimovitz says the instrument has a warmth, responsiveness and range of colour that he loves.Haimovitz had been playing another Gofriller on loan, and found this one in an instrument shop in London. He prefers not to reveal the price, “but I will say Continue reading →