TMI: Matt Haimovitz at Music Mountain

June 20 2013

Cellist Matt Haimovitz rode the twentieth century into the staid precincts of Music Mountain’s music barn Sunday, introducing four pieces that had never before been played there in the festival’s 84 years of hosting chamber music. Continue reading

Norwalk Citizen: From Bach to the Beatles, cellist set to blur boundaries at Silvermine

April 10, 2013

In this cyber age, it is relatively easy to see all manner of recorded classical music performances online, from virtuosos fronting world-class orchestras to small ensembles filling intimate spaces. Rising stars Continue reading

Le Devoir: Concerts classiques – Waouh! – Concert inaugural de la salle Bourgie

September 29, 2011

Le «waouh!» d’admiration qu’a suscité la découverte de la Salle Bourgie inaugurée hier soir, on aurait bien aimé le pousser le 7 septembre dernier, à l’ouverture de la Maison symphonique. On aura donc attendu, pour cela, l’ouverture d’un autre lieu résultant d’un autre type de partenariat public-privé, celui entre le Musée des beaux-arts de Montréal et un mécénat incarné par le philanthrope Pierre Bourgie, au nom de toute sa famille. Continue reading

The Halifax Herald: Cellist Matt Haimovitz is a loner. Musically he goes his own way.

June 6, 2010

Cellist Matt Haimovitz is a loner. Musically he goes his own way.

That is true of all the Scotia Festival of Music master artists, in a way. But Friday night, in his solo recital in The Music Room, Haimovitz  carved his path so expertly and with such unhesitating self-confidence and momentum that he could be said to Continue reading

CityMusic Cleveland: Talkin’ ‘Bout My Generation: Cellist Matt Haimovitz goes solo with CityMusic

February 8, 2010

Virtuoso cellist Matt Haimovitz has made a career of bringing classical music to people who don’t hear it much. In the mid-’90s, having played as soloist with major orchestras in venues like Carnegie Hall, the Israeli-born, American-raised musician got frustrated with the narrowness of classical-music culture and the kind of career typically Continue reading

GatheringNote.org: Review: Matt Haimovitz plays the Tractor Tavern

January 25, 2010

Celebrating the 300th birthday of his cello, the concert adventurer Matt Haimovitz returned to Seattle’s Tractor Tavern Wednesday night for a one-man show that sold out the bar. Some 250 seated and standing fans filled the funky place where Haimovitz performed Hendrix not so long ago, backed by a band of students, to plug his CD “Anthem.” This time, he’s touring Continue reading

Seattle Arts Weekly: Classical: Have Cello, Will Travel

January 20, 2010

H. Thomson

Country, hip-hop, metal—cobblers in certain genres pretty much stick to their lasts and aren’t known for exploring music outside their boundaries. (Go ahead, deny it. With counterexamples.) The musicians with the broadest tastes and most ravenous curiosities tend to be rooted in classical—naturally enough, since the term itself covers about a millennium of music. Setting the standard is cellist Matt Haimovitz, who plays, basically, everything everywhere: Bach to Led Zeppelin, Continue reading

Seattle Times: A man and a cello walk into a bar: Matt Haimovitz plays the Tractor

January 19, 2010

Photo by Martin Laporte

The Tractor Tavern’s stage is no stranger to vintage instruments, but for Matt Haimovitz, the notion of a classic ax takes on a decidedly longer perspective.

The cello virtuoso, who has spent the past decade bringing Bach, Britten, Hindemith and Webern to rock clubs, nightspots, restaurants and dives, is celebrating the 300th anniversary of his instrument, which was built in 1710 by Venetian luthier Matteo Goffriller (who’s to cellos what Stradivarius is to violins). Continue reading

Isthmus: My favorite concerts of 2009, in Madison and (slightly) beyond

December 30, 2009

Stark, startling and challenging. Matt Haimovitz with Du Yun, Oct. 30, Café Carpe, Fort Atkinson
Music clubs come and go, but little Café Carpe has prospered for 24 years as a premier showcase for singer-songwriters and folksingers. (All praise to owners Bill Camplin and Kitty Welch!) But this was different — an evening of avant-garde classical music with Continue reading

Valley Advocate: Figment – CD Review

December 16, 2009

Former Valley resident Matt Haimovitz, who has since departed for Montreal, takes the classical cello to places it’s seldom, maybe never seen. The first track is a highly unusual mash-up of acoustic cello, electronic beats, record scratching and sampled segments of strange musical talk. The friction has perhaps only one musical cousin: Continue reading