One continuous improvised take.
One continuous improvised take.
How about a little Elliott Carter as you sip your drink and nibble pretzels in a dimly-lit lounge?
Don’t scoff. That’s the kind of ear-liberating musical experience you’d expect Matt Haimovitz to deliver.
The Israeli-born cellist is leading the way for classical musicians who seek to bridge the seemingly unbridgeable worlds of contemporary art music and Continue reading




VinylCello is an album of new cello concertos written for Matt Haimovitz and unexpected ensembles–big band, choir, DJ and live electronics–along with Haimovitz’s new arrangement of Jimi Hendrix’s Machine Gun for solo cello and all-cello band. On VinylCello, Haimovitz brings together the first three commissions from his ‘Buck the Concerto’ series, Continue reading

David Sanford and the Pittsburgh Collective: Live at the Knitting Factory, featuring cellist Matt Haimovitz.
In Oxingale’s tenth release, composer David Sanford leads the Pittsburgh Collective big band – five saxophones, five trumpets, five trombones, piano, electric guitar, bass, drums, and Continue reading

Celebrating Bartk’s fascination with the folk music of Transylvania, Hungary, Romania and Turkey, cellist Matt Haimovitz delves into his own Romanian/Middle Eastern ancestry to create a sonic tapestry that bridges genres, geographic distances and Continue reading

On September 9, 2003, Oxingale Records launched ANTHEM, cellist Matt Haimovitz’s highly charged collection of solo works by living American composers featuring his live rendition of “Anthem,” inspired by Jimi Hendrix’s “Star Spangled Banner,” recorded live Continue reading

In Lemons Descending, the common thread of voice and cello conjures a contemporary musical world rooted in the traditions of a millennium. Soprano Eileen Clark and cellist Matt Haimovitz perform the recital ranging from Hildegard Von Bingen to John Tavener’s “Ahkmatova Songs”, from a first recording of Luna Pearl Woolf’s “Epithalamion” to Heitor Villa-Lobos’ beloved “Bachianas Brasileirsas No. 5″ Continue reading