April 10, 2013
In this cyber age, it is relatively easy to see all manner of recorded classical music performances online, from virtuosos fronting world-class orchestras to small ensembles filling intimate spaces. Rising stars Continue reading
In this cyber age, it is relatively easy to see all manner of recorded classical music performances online, from virtuosos fronting world-class orchestras to small ensembles filling intimate spaces. Rising stars Continue reading
OPLIN, Mo. — The tones of a cello are the closest to a human voice as any instrument created. Matt Haimovitz is regarded as being able to create a variety of voice-like tones, including the voices of Arcade Fire’s Regine Chassagne and Radiohead’s Thom Yorke. Continue reading
Since the conductor and composer Julian Wachner became the director of music and arts at Trinity Wall Street in September 2010 he has pursued at least two distinct agendas. He has increased the amount of contemporary music performed by the church’s admirable Trinity Choir, Continue reading
Matt Haimovitz is finishing off a landmark birthday year, and so is his instrument. The Montreal-based cellist, celebrated for his spirited approach to genre-bending and performance, is a mere 40. But his cello, made by Venetian luthier Matteo Goffriller, has turned 300. This year, the birthday pair, in company with Continue reading
One of the most original and compelling jazz albums in recent memory was created by a classical cellist who often plays in rock clubs. As Matt Haimovitz’s world has stretched from the elegant Carnegie Hall to the punky CBGB club, it’s altogether fitting that his new album is titled Continue reading
Virtuoso cellist Matt Haimovitz has made a career of bringing classical music to people who don’t hear it much. In the mid-’90s, having played as soloist with major orchestras in venues like Carnegie Hall, the Israeli-born, American-raised musician got frustrated with the narrowness of classical-music culture and the kind of career typically Continue reading
Celebrating the 300th birthday of his cello, the concert adventurer Matt Haimovitz returned to Seattle’s Tractor Tavern Wednesday night for a one-man show that sold out the bar. Some 250 seated and standing fans filled the funky place where Haimovitz performed Hendrix not so long ago, backed by a band of students, to plug his CD “Anthem.” This time, he’s touring Continue reading
The Tractor Tavern’s stage is no stranger to vintage instruments, but for Matt Haimovitz, the notion of a classic ax takes on a decidedly longer perspective.
The cello virtuoso, who has spent the past decade bringing Bach, Britten, Hindemith and Webern to rock clubs, nightspots, restaurants and dives, is celebrating the 300th anniversary of his instrument, which was built in 1710 by Venetian luthier Matteo Goffriller (who’s to cellos what Stradivarius is to violins). Continue reading
Le violoncelliste Matt Haimovitz et sa partenaire, la compositrice Luna Pearl Woolf, réinventent le rituel du concert avec la nouvelle vocation d’eXcentris. Air frais.
J’ai rencontré Matt Haimovitz pour la première fois en 2006, alors qu’il venait de faire paraître son disque Goulash! (Oxingale Records), sur lequel il joue avec le grand guitariste jazz-rock John McLaughlin, l’ensemble de musique méditerranéenne Constantinople et DJ Olive, entre autres. On trouve sur ce disque du Bartók et du Ligeti, mais aussi du Led Zeppelin Continue reading
The exciting eccentricities of November’s classical music programming at eXcentris
McGill music professor and renowned cellist Matt Haimovitz—who now adds artistic advisor and artist-in-residence at the recently repurposed eXcentris to his CV—has made it his mission to expand the parameters of classical music, what it is and who it’s played for. In that spirit, his latest album, Figment, covers a good part of Continue reading