MÉLANGE À TROIS is an instrumental theater work, set for violin, cello and percussion. In this voiceless opera, each musician embodies a character in an enchanting tale of misplaced love.
After first hearing Krystina Marcoux’s fiery, solo performance of Jennifer Higdon’s Percussion Concerto back in 2013, it was with a lot of anticipation that I attended Luna Pearl Woolf’s original voiceless opera Mélange à Trois with the BIK ensemble last Friday, May 16th at McGill University’s Pollack Hall.Continue reading →
Late last year, Opera America set out to encourage women composers to write new operas, and offered incentives, by way of a two-year grant program, underwritten by the Virginia B. Toulmin Foundation. The organization announced the first group of recipients of its Opera Grants for Female Composers on Tuesday. Eight composers, and their proposed projects, were chosen from among 112 eligible applicants. Each will receive a $12,500 grant to help develop her opera.
The winner composers (and projects) are Anna Clyne (“As Sudden Shut”); Michelle DiBucci (“Charlotte Salomon: Death and the Painter”); Laura Kaminsky (“As One”); Kristin Kuster (“Old Presque Isle”); Anne LeBaron (“Psyche & Delia”); Fang Man (“Golden Lily”); Sheila Silver (“A Thousand Splendid Suns”); and Luna Pearl Woolf (“The Pillar”).
The adjudication panel included the vocal coach Susan Ashbaker; the composers Douglas Cuomo and David T. Little; the mezzo-soprano Susanne Mentzer; and the librettist and composer Gene Scheer.
“Angel Heart” was conceived by Luna Pearl Woolf and Lisa Delan.
“Do you hear it?”
At the beginning, there is only the voice of Jeremy Irons. Then, the sound of strings: high, sparkling filaments of sound that dance around the narrator’s voice like dust particles catching the light.
There is a whispering of wings in the silence of the night.
They’re coming. With feathers as white as snow and faces as bright as the moonlight:
“Angel Heart” is a tender and emotionally astute children’s story told in words and music. Last month it was released as an audiobook CD; on Monday it will be performed live at Zankel Hall with the actor Chris Noth as narrator. Continue reading →
“There! Do you hear it? There is a whispering of wings in the silence of the night. They’re coming. With features as white as snow, and faces as bright as the moonlight.
They come to chase the nightmares that gallop through the dark and to harvest the light of the stars. They spread it over roofs and beds and sleeping eyes And fill the night with music…” Continue reading →
After all the hundreds of musicals that have gone down the pike, take heart, there are still unlimited ways to tell a story in music. A very different way of telling, Angel Heart, charmed its first audience, of adults and children (lots of them) in UC Berkeley’s Hertz Hall last Sunday afternoon. Continue reading →
If you close your eyes and listen to the music, you can picture the onscreen action: the young mother unnerved by the sudden departure of her baby’s nanny, the wily tramp finding the key under the mat and infiltrating the isolated house, the husband working to the ticking clock of office deadlines suddenly thrown into a different race against time when his wife’s frantic phone call to him is cut off, and the chase to the rescue in a stolen car pursued by the law.
Composer Luna Pearl Woolf conjures the pictures in your mind’s eye with the orchestral-sounding richness of eight cellos, a full complement of drums and a glockenspiel. Continue reading →
What happens when a pair of music professionals set out to create a CD to share with their kids? In the case of composer Luna Pearl Woolf and soprano Lisa Delan, they enlist author Cornelia Funke, actor Jeremy Irons, and Mirada Studios to help them turn their vision into a multimedia storybook and interactive iPad app. The result is Angel Heart, a CD in mini-hardcover packaging being released September 24 by Oxingale Records. An app is set to follow in early 2014. Continue reading →
Radius Ensemble (radiusensemble.org) opens at Longy Oct. 5 with music of Rota, Piazzolla and Luna Pearl Woolf, the first of four concerts at the Cambridge conservatory that all begin with Radius’ unique brand of casual introductions. Continue reading →