Toronto Star: Cincinnati Symphony’s excellent take on Philip Glass’s Cello Concerto No. 2: album review

May 6, 2013

Matt Haimovitz & Cincinnati Symphony

Philip Glass, Cello Concerto No. 2 (Orange Mountain)

3.5/4 stars

Darien Daily Voice: Cellist Matt Haimovitz to Perform at Silvermine Arts Center

April 14, 2013

Silvermine Arts Center is proud to welcome back renowned Cellist, Matt Haimovitz on Sunday, April 14th. Mr. Haimovitz, who last played at Silvermine in 2005, will perform Beyond Bach, a brilliant solo program from one of America’s most daring artists.

The sound of the solo cello is as compelling and eloquent as the human voice, with a chameleon’s ability to embody any role. Winner of the Avery Fisher Award, Matt Haimovitz offers this intimate program highlighted by a selection from the Bach Suites and repertoire by Ligeti, Tod Machover and Piazolla, among others. “An expressive maximalist, Haimovitz calls forth a dazzling spectrum of sounds from the depths of his instrument.” The New Yorker. He electrifies listeners from a few feet away in an intimate club to the last rows of a concert hall. Anchoring the concert with one of the spectacular Bach Suites, Haimovitz engages the audience, creating unexpected epiphanies and fostering a new intimacy with the music.

Many of the works that he performs in Beyond Bach can be heard on his signature recordings, which have been awarded the Grand Prix de Disques and nominated for Inde Awards (AFIM) and the Canadian Juno. With four solo albums on Deutsche Grammophon and six solo albums on his own Oxingale Records, this multi-faceted artist builds innovative musical bridges that inspire a renewed appreciation and perspective on a classic tradition.

Haimovitz debuted with Zubin Mehta and the Israel Philharmonic at the age of 13, recorded with James Levine and the Chicago Symphony Orchestra at 17, and made his Carnegie Hall debut in a string quartet with Isaac Stern, Shlomo Mintz, Pinchas Zuckerman, and Mstislav Rostropovich. When not headlining with major orchestras throughout the world, Matt Haimovitz makes the solo recital his trademark. The San Francisco Chronicle notes that he “has been busily reinventing the classical recital for the new millennium.”

read at: Darien Daily Voice

 

Norwalk Citizen: From Bach to the Beatles, cellist set to blur boundaries at Silvermine

April 10, 2013

In this cyber age, it is relatively easy to see all manner of recorded classical music performances online, from virtuosos fronting world-class orchestras to small ensembles filling intimate spaces. Rising stars Continue reading

Hoopla: REVIEW: ‘Shuffle. Play. Listen’ takes audience on exciting, dark, sonic ride

March 29,2013

CORALVILLE — “Shuffle. Play. Listen” is terrific, challenging music-making from two fine music-makers, performing the works of Continue reading

Jewishjournal.com: Matt Haimovitz: Global yet grounded

March 20, 2013

Speaking by phone from Montreal, Israeli-born cellist Matt Haimovitz revealed that he’s a great admirer of the American singer Nina Simone. Looking at his life and career, one can easily see why. Like Simone, Haimovitz is admired for his solid classical grounding, eclecticism, improvisatory brilliance and the fact that he defies easy classification. Continue reading

AUDIOPHILE AUDITION: PAUL MORAVEC: “Northern Lights Electric” = Wonderful set of works from this Very American Composer! ****

March 17, 2013

PaulMoravecWorks

PAUL MORAVEC: “Northern Lights Electric” = Northern Lights Electric; Clarinet Concerto; Sempre Diritto!; Montserrat: Concerto for Cello and Orchestra – David Krakauer, clarinet/Matt Haimovitz, cello/Boston Modern Orch. Project/Gil Rose – BMOP/sound 1024; 70:42 [Distr. by Albany] ****:

Paul Moravec’s music, for me, is consistently bracing, exhilarating and entertaining. Continue reading

WQXR: Q2 Music Album of the Week: A Second Look at Philip Glass’s Monumental ‘Naqoyqatsi’

March 11, 2013

glass

Given that Koyaanisqatsi, Philip Glass‘s first collaboration with film director Godfrey Reggio, stands alongside Einstein on the Beach as one of those rare instances where experimental culture Continue reading

SFCV: Context Speaks Volumes at Berkeley’s Jewish Music Festival

March 6, 2013

bookends-for-the-angel

Vilna Poems / Akoka: The End of Time / In Commemoration of the 70th Anniversary of the Warsaw Ghetto Uprising” read the title sheet of the Jewish Music Festival’s concert at Berkeley Repertory Theatre on Saturday. I didn’t get the connection. Vilnius is the capital of Lithuania. Quatuor pour la Fin du temps is a famous quartet by the French Catholic mystic Olivier Messiaen. So? Continue reading