May 6, 2013
Matt Haimovitz & Cincinnati Symphony
Philip Glass, Cello Concerto No. 2 (Orange Mountain)
3.5/4 stars
Matt Haimovitz & Cincinnati Symphony
Philip Glass, Cello Concerto No. 2 (Orange Mountain)
3.5/4 stars
Speaking by phone from Montreal, Israeli-born cellist Matt Haimovitz revealed that he’s a great admirer of the American singer Nina Simone. Looking at his life and career, one can easily see why. Like Simone, Haimovitz is admired for his solid classical grounding, eclecticism, improvisatory brilliance and the fact that he defies easy classification. Continue reading
Given that Koyaanisqatsi, Philip Glass‘s first collaboration with film director Godfrey Reggio, stands alongside Einstein on the Beach as one of those rare instances where experimental culture Continue reading
Christopher O’Riley & Matt Haimovitz/Shuffle, Play, Listen (Oxingale Records) – At this point, there’s no denying that pianist/arranger Christopher O’Riley is the preeminent interpreter of contemporary rock music, Continue reading
Composer Philip Glass featured the cello in his soundtrack to the Godfrey Reggio film “Naqoyqatsi,” he said, because “we think of the cello as the instrument closest to the human voice.”
On Friday night, the Cincinnati Symphony Orchestra and cellist Matt Haimovitz performed the world premiere of Glass’ Cello Concerto No. 2, “Naqoyqatsi,” a CSO commission based on his film score. On the podium was Dennis Russell Davies, a frequent Glass collaborator.
Haunting and deeply beautiful,
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When renowned cellist Matt Haimovitz was 17, he hadn’t played a note written in the 20th century, he recalls. “I grew up in a very traditional classical music home.”
So this weekend, when the Julliard-trained California native premieres a Philip Glass cello concerto, he’ll continue on his genre-bending path to keep classical music “living, breathing” and Continue reading
Philip Glass Cello Concerto No. 2, “Naquoyqatsi,” to be given its world premiere next weekend by cellist Matt Haimovitz with the Continue reading

Philip Glass
The Days and Nights Festival featuring Philip Glass and some very talented musicians is now slightly past its midpoint, yet it shows no sign of running out of steam. The Saturday afternoon presentation of chamber music led off with an early work (1983) by Glass written as incidental music to Samuel Becket’s play derived from his short story, “Company” and originally scored for string quartet or string orchestra. In the version we heard today Continue reading

After some minutes of civilized mingling and schmoozing outside on the plaza grounds of the Hidden Valley Music Seminars, attendees of last Friday’s very first performance of the very first Philip Glass Days and Nights Festival filed into the rustic wood performance hall, nearly filling Continue reading
For the second evening in the inaugural season of Philip Glass’ DAYS AND NIGHTS FESTIVAL, chamber music was again presented at Hidden Valley Music Seminars Theater, which, incidentally, Continue reading