Gapplegate Classical-Modern Music Review: J. S. Bach, The Cello Suites According to Anna Magdalena, Matt Haimovitz

“For all that we get Haimovitz’s total artistry, a deep resonance to the cello not heard quite like this in standard versions, and an expressivity that is very palpable and rugged at times, without a romantic sort of rubato so much as a baroque one, which is to say that the sort of bravura of the post-Beethoven cello is replaced by a different sort of emotiveness, born of the resonance of the open strings and a restrained vibrato, with the up-down bowing dynamics of the flat bow and the phrasing of Anna’s version suggesting a performance of great clarity and zest. There is a rough-hewn, exuberant beauty to it all. And not a stitch of sentimentality.”

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