Matt Haimovitz

MATT HAIMOVITZ photo by Stephanie Mackinnon

Renowned as a musical pioneer, cellist Matt Haimovitz has inspired classical music lovers and countless new listeners by bringing his artistry to concert halls and clubs, outdoor festivals and intimate coffee houses, any place where passionate music can be heard. He brings a fresh ear to familiar repertoire, champions new music and initiates groundbreaking collaborations as well as creating innovative recording projects for Oxingale Records. Besides his relentless touring schedule, he mentors an award-winning studio of young cellists at McGill University’s Schulich School of Music in Montreal. Through his visionary approach, Haimovitz is re-defining what it means to be an artist for the 21st century.

Haimovitz made his debut in 1984, at the age of 13, as soloist with Zubin Mehta and the Israel Philharmonic. At 17 he made his first recording with James Levine and the Chicago Symphony Orchestra, for Deutsche Grammophon. He has gone on to perform on the world’s most esteemed stages, with such orchestras and conductors as the Berlin Philharmonic with James Levine, the New York Philharmonic with Zubin Mehta, the English Chamber Orchestra with Daniel Barenboim, the Boston Symphony Orchestra with Leonard Slatkin and the Montreal Symphony Orchestra with Kent Nagano. Haimovitz made his Carnegie Hall debut when he substituted for his teacher, the legendary Leonard Rose, in Schubert’s String Quintet in C, alongside Isaac Stern, Shlomo Mintz, Pinchas Zukerman and Mstislav Rostropovich.

The solo cello recital is a Haimovitz trademark, both inside and outside the concert hall. In 2000, he made waves with his Bach “Listening-Room” Tour, for which, to great acclaim, Haimovitz took Bach’s beloved cello suites out into the clubs across the U.S., Canada, and the U.K. Haimovitz’s 50-state Anthem tour in 2003 celebrated living American composers and featured the cellist’s own arrangement of Jimi Hendrix’s “Star-Spangled Banner.” He was the first classical artist to play at New York’s infamous CBGB club, in a performance filmed by ABC News for Nightline UpClose.

In 2015, Haimovitz premieres six new works as part of a major residency at NYC’s Miller Theater. The new Overtures to Bach serve as preludes to each of the 6 Suites for Solo Cello by J.S. Bach. Composers commissioned for Overtures to Bach include Philip Glass, Du Yun, Vijay Iyer, Roberto Sierra, Mohammed Fairouz, and Luna Pearl Woolf.

Haimovitz’s recording career encompasses more than 20 years of award-winning work on Deutche Grammophon and his and composer/producer Luna Pearl Woolf’s own trailblazing independent label Oxingale Records, now in collaboration with PentaTone Classics. Two recent Oxingale albums have been nominated for Juno Awards and a third, Meeting of the Spirits, was nominated for a GRAMMY® for Best Classical Crossover Album and won a GRAMMY® for Best Producer of the Year (Classical). BEETHOVEN, Period, a traversal of the Beethoven Sonatas and Variations for Piano and Cello on period instruments with Christopher O’Riley was an Editor’s Choice pick, and one of the top-10 Beethoven albums of recent times, at Gramophone Magazine. 2015 sees the release of two important solo albums: ORBIT, an expansive 3-SACD compilation of Haimovitz’ solo cello work of the last fifteen years and J.S. Bach The Cello Suites According to Anna Magdalena Bach, a recording of the beloved Cello Suites on baroque cello and cello piccolo. Other recent releases include Haimovitz’s recording of cello concertos by Laura Schwendinger and Pulitzer Prize-winner Paul Moravec. Haimovitz’s recording of Philip Glass’s Cello Concerto No. 2, “Naqoyqatsi,” with the Cincinnati Symphony and Dennis Russell Davies, recorded live in Cincinnati has received universal acclaim.

In 2006, Haimovitz received the Concert Music Award from ASCAP for his advocacy of living composers and pioneering spirit, and in 2004, the American Music Center awarded Haimovitz the Trailblazer Award, for his far-reaching contributions to American music. Born in Israel, Haimovitz has also been honored with the Avery Fisher Career Grant (1986), the Grand Prix du Disque (1991), the Diapason d’Or (1991) and he is the first cellist ever to receive the prestigious Premio Internazionale “Accademia Musicale Chigiana” (1999). Haimovitz studied at the Collegiate School in New York and at the Juilliard School, in the final class of Leonard Rose, after which he continued his cello studies with Ronald Leonard and Yo-Yo Ma. In 1996, he received a B.A.magna cum laude with highest honors from Harvard University. Matt Haimovitz plays a Venetian cello, made in 1710 by Matteo Gofriller.

Matt Haimovitz’ Press
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Matt Haimovitz Discography:

The Cello Suites According to Anna Magdalena



Akoka: Reframing Olivier Messiaen’s Quartet for the End of Time

Angel Heart, a music storybook

Rumi Symphony


Matteo: 300 Years of an Italian Cello

Meeting of the Spirits


Odd Couple

J. S. Bach: Goldberg Variations

VinylCello – CD & limited edition 12″ LP

After Reading Shakespeare

David Sanford & the Pittsburgh Collective: Live at the Knitting Factory

Après Moi, le Déluge

Mozart the Mason 



Please Welcome… Matt Haimovitz
Compilation of Oxingale releases in SACD Surround Sound format
Released 2004


Hyperstring Trilogy

Haydn Mozart
Matt Haimovitz, cello
Orchestre de Bretagne / Stephan Sanderling
Haydn: Cello Concerto in C Major, Hob. VIIb. 1
Haydn: Cello Concerto in D Major, Hob. VIIb. 2
Mozart: Cello Concerto in D Major, K. 285 d arranged by George Szell
Released 2003
Transart Live TR121

The Rose Album

Lemons Descending

J.S. Bach: 6 Suites for Cello Solo

Eileen Clark, soprano, Matt Haimovitz, ‘cello
Luna Pearl Woolf: The Orange and the UnderTree
Limited edition CD
Released 1999
Oxingale Records

Portes Ouvertes: The 20th Century Cello Volume 3
Matt Haimovitz, cello, Philippe Cassard, Piano
Reger: Suite for Solo Cello in a minor, op. 131c no. 3
Webern: Three Little Pieces for Cello and Piano
Dutilleux: 3 Strophes sur le nom de Sacher
Debussy: Sonata for Cello and Piano
Britten: Tema “Sacher” for Solo Cello, Sonata in c for cello and Piano, op. 65
Released 1999
Deutsche Grammophon 457 584-2

The 20th Century Cello Volume 2
Matt Haimovitz, cello
Britten: Second Suite for Cello, op. 80
Davidovsky: Synchronisms No. 3
Harbison: Suite for Solo Cello
Perle: Hebrew Melodies for Unaccompanied Cello
Sessions: Six Pieces for Violoncello
Released 1997
Deutsche Grammophon 453 417-2

The 20th Century Cello
Matt Haimovitz, cello
Kodaly: Sonata, op. 8 (1915)
Britten: Suite No. 3 for Solo Cello, op. 87
Berio: Les mots sont allés. . .”Recitativo” pour cello seul
Henze: Cappriccio per violoncello solo
Released 1995
Deutsche Grammophon 445 834-2

Trios with Rob Wasserman
Matt Haimovitz improvises with Joan Jeanrenaud and Rob Wasserman. Other featured artists include Brian and Carnie Wilson, Neil Young, Bob Weir, Bruse Hornsby, Branford Marsalis, Edie Brickell, Jerry Garcia, and Elvis Costello.
Released 1993
GRP Records MGD-4021

Suites and Sonatas for Solo Cello
Matt Haimovitz, cello
Britten: Suite No. 1 for Solo Cello, op. 72
Crumb: Sonata for Solo Cello
Ligeti: Sonata for Solo Cello
Reger: Suite No. 1 for Solo Cello, op. 131c
Released 1991
Deutsche Grammophon

Haydn, C.P.E. Bach, Boccherini: Cello Concertos
Matt Haimovitz, cello
English Chamber Orchestra / Andrew Davis
C.P.E. Bach: Cello Concerto in a minor, Wq. 172
Boccherini: Cello Concerto in Bb major, G.482
Haydn: Cello Concerto in c major, Hob. VIIb: 1
Released 1990
Deutsche Grammophon

Saint-Saens, Lalo: Cello Concertos, Bruch Kol Nidrei
Matt Haimovitz, cello
Chicago Symphony Orchestra / James Levine
Bruch: Kol Nidrei, op. 47
Lalo: Cello Concerto in d minor
Saint-Saens: Cello Concerto No. 1 in a minor, op. 33
Released 1989
Deutsche Grammophon 427 323-2