The Buffalo News: Listening Post: Future Islands, Bob Dylan tribute, Avi Avital, Dinara Alieva, Hafez Nazeri, Oran Etkin and ‘Working Man’s Poet’

March 30, 2014

… Avi Avital, “Between Worlds” (Deutsche Grammophon). You have to smile, hearing Bartok’s Romanian Folk Dances played on mandolin, accompanied by accordion and harp. That’s what mandolin virtuoso Avi Avital means about being between worlds. (Though the Romanian Folk Dances do sound quite at home on the mandolin, which sort of stands in for a balalaika.) Avital has great sidemen, led by Richard Galliano on accordion. They are warm and witty and unconventional – sort of like Buffalo’s Skiffle Minstrels, I thought now and then. only with a more Eastern European slant. They trade witty duets in a Piazzolla piece and fill a traditional Bulgarian dance with an infectious joy. The music tends to gather speed, gradually, like the music you hear at the Greek Festival. The mood grows more reflective with Ernest Bloch’s “Nigun” and a traditional Welsh melody, “Hen Ferghetan,” which begins with extreme delicacy and features Catrin Finch on harp. The thread that holds this disc together is that all the composers represented – also including Manuel de Falla and Hector Villa-Lobos – were all inspired by folk music. Avital and his friends help you see why. ΩΩΩ½ (Mary Kunz Goldman)

H. Thomson

H. Thomson

Hafez Nazeri, “Rumi Symphony, Project Untold” Performed by Nazeri and the Rumi Instrumental Ensemble and various artists including cellist Matt Haimovitz, violist Phil Neubauer and percussionists Glen Velez and Zakir Hussain under Nazeri’s direction (Sony Classical). How’s this for musical ambition? What the great Iranian composer and vocalist and instrumentalist wants to do with his Rumi Symphony Project, he says, is “spark a musical fusion so convincing and so different that it demands a new name.” It incorporates “the singular voice of the Persian mystical poet Rumi with the harmonic structure of Western Symphonic music, signaling the integration of distinct musical traditions into a new form and identity, a new beginning.” Nazeri has sold out Carnegie Hall with his music, and when you hear the power and beauty of what he is trying to do here (which is way beyond previous Eastern/Western musics by, say, Ravi Shankar) you’ll have no confusion why. I wish there were translations of Rumi’s poetry in the notes, but it’s marvelous, no matter.ΩΩΩΩ (Jeff Simon)…

Read at: The Buffalo News

 

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