August 16, 2016 Der Cellomeister Matt Haimovitz gehört zu den emphatischen Bachsuiten-Spielern, er hat sie schon in Nachtclubs und Kaufhäusern präsentiert. Jetzt bietet er sechs “Overtüres” zeitgenössischer Komponisten zu den […]
Written by: David Olds June 30, 2021 One of the greatest challenges of editing DISCoveries is always how to do justice to as many of the fine recordings that come our way […]
Written by: Alexa Criscitiello May 17, 2021 The new digital album features the first fourteen of 81 new pieces written for Haimovitz. On June 11, 2021, multi-Grammy nominated cellist Matt […]
January 28, 2021 By Jeff Kaliss | From the January-February 2021 issue of Strings magazine Speaking from his home in Montreal, Canada, Matt Haimovitz readies himself for a chilly afternoon of kid-friendly soccer with […]
Par EMMANUEL BERNIER Consacré à la musique de chambre française du début du XXe siècle, l’album MON AMI, Mon amour réunit la pianiste Mari Kodama et le violoncelliste Matt Haimovitz, respectivement associés aux […]
Today, LUNA PEARL WOOLF: Fire and Flood has been nominated for a 2021 GRAMMY Award in the category of Best Classical Compendium. The composer-portrait album, released in February, encompasses 25 years of dramatic vocal and choral works and hauntingly re-imagined Leonard Cohen masterpieces by the innovative American-Canadian composer.
Has there ever been a year during which new albums were as vital to our survival as they were in 2020? CBC Music picks Canada best classical albums of the year, from solo piano to opera and everything in between.
With concert halls shuttered due to the COVID-19 pandemic, the arrival of new music – along with quarantine videos and live streams – was the closest we got this year to the thrill of live performance. And while records will never replace the concert experience, we’re grateful to Canada’s classical musicians for the profusion of new music they continue to release for our enjoyment.
Luna Pearl Woolf: Fire and Flood, a Pentatone Oxingale Series recording, has been nominated for a 2021 Grammy Award in the category of Best Classical Compendium. The composer-portrait album, released in February, encompasses 25 years of dramatic vocal and choral works and hauntingly re-imagined Leonard Cohen masterpieces by the innovative American-Canadian composer.
Last Week Intermezzo Host Chris Wolf had an opportunity to chat with cellist Matt Haimovitz about this marvelous new recording of French music for cello.
“Haimovitz sets his cello free in a daring and dazzling jazz recital…“ Matt Haimovitz’s multi-faceted cello knocks down musical boundaries while scaling emotions from darkness to joy in Cello JAZZ, […]
“Luna Pearl Woolf trains a zoom lens on the collective experience, sometimes plunging us right into the midst of destruction and anarchy only to pull back, in one swoop, to a clear-eyed plane of compassion.”
March 1, 2019 American composer David Sanford (b. Pittsburgh 1963) came from a highly musical family. He always had a keen interest in jazz, big and music, and played the […]
July 2017 “Meeting of the Spirits” – jazz milestones re-imagined for a big band of cellos.PENTATONE SACD 518§ 659 TT: 51:06BUY NOW FROM AMAZON Matt Haimovitz is on the cutting […]
May 17, 2019 Afro-American composer David Sanford shows a musical Modernism with a healthy admixture of “Jazz” influences on his recent recording of orchestra works Black Noise (BMOP Sound 1063). The three […]
November 14, 2019 ALBUM REVIEW | David Sanford: Black NoiseClassical CD ChoiceBarry Forshaw Not for the casual listener, but those with a taste for the adventurous might give this unusual […]
May 3, 2019 In relation to music, noise occupies a particularly complex position in the history of African American musical cultures. Historically, white listeners musically and culturally disenfranchised enslaved African […]
Oxingale Records 