The Boston Globe: Philip Glass resounds at Peabody Essex Museum
June 24, 2017 SALEM — The timing of the premiere of Philip Glass’s Partita No. 2 for Solo Cello was crucial, said Orange Mountain Music’s Richard Guérin in a pre-concert […]
Category Archives: Concert Review
Tuneful Travel: Des Moines Symphony’s Season Finale Soars
May 24, 2017 The Des Moines Symphony ended its 2016-2017 season with a (percussive) bang with works by Hindemith and Ravel bookending the world premiere of a commissioned video accompaniment […]
Superconductor: Concert Review: Let Me Drown – Novus NY plays Become Ocean
May 19, 2017 (This review is respectfully dedicated to the memory of Soundgarden singer Chris Cornell.) The composer John Luther Adams who won the 2015 Pulitzer Prize for Become Ocean. […]
New Tork Music Daily: Vast, Intricate, Awe-Inspiring Oceans of Sound Downtown
May 19, 2017 What’s the likelihood that the two opening works on a program featuring John Luther Adams’ Become Ocean would hold their own alongside that epically enveloping, meticulously churning, […]
San Francisco Classical Voice: The Dizzying World of György Ligeti
March 21, 2017 György Ligeti | Credit: Co Broerse The accordion, Renaissance motets, and Samuel Beckett — it’s an improbable festival that brings these things together — but then, György […]
Strings Magazine: Cellist Matt Haimovitz Conjures Bach and Recent Commissions in a Crypt
December 2, 2016 “We’re looking for the event in the crypt,” I announced. “Where is the crypt?” Four alarmed eyeballs stared back at me. It was the second day of […]
Ottawa Life: More Than Genius Honored as Philip Glass Accepts Glenn Gould Prize
November 27, 2016 All photos by Andre Gagne. What is a genius? That question itched me throughout the The 11th Glenn Gould Prize Awards concert “The Genius of Philip Glass” […]
