Washington Jewish Week – ‘Better Gods’ gives operatic life to a little-known chapter in history

The music by Wolff demonstrated a search for authentic Hawaiian chant and island instruments including the nose flute, warrior sticks and stone castanets. The effective use of these instruments represented a reach to pre-Western influence, even as we had a Western orchestra juxtaposed in this clash of cultures.

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Parterre Box – Throne Away

Offering something slightly more substantial than the 20-minute pieces shown last month, WNO premiered Better Gods, an hour-long work by composer Luna Pearl Woolf and librettist Caitlin Vincent on Friday evening. The subject is the fate of Queen Lili’uokalani, last monarch of Hawaii. In 1898, Lili’uokalani attempts to repudiate the U.S.-friendly constitution inherited from her predecessor and shore up Hawaiian sovereignty.

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BWW Opera World – BWW Review: BETTER GODS Soars at the Kennedy Center

Ms. Woolf’s gorgeous score is underlined by the use of traditional Hawaiian chants and her score utilized authentic instruments like the nose flute, Kala’au (percussive sticks), and Ili’ili (castanets), that are native to the island. Ms. Woolf’s score also uses Queen Lili`uokalani’s famous composition, “Aloha ‘Oe”, sung in gorgeous counterpoint by soprano Ariana Wehr.

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